wall mirror c.1958 - ø 8.50 in.

A beautiful exemplar of a model designed in the mid 50’s, at a time when Mithé Espelt began to embed molten glass in her ceramic creations. This toothed wheel tells us about Fortuna, the Greek goddess, and the protection of sun rays will make it a real talisman for whoever it reflects. Model documented on page 117 of the Antoine Candau monograph « Mithé Espelt, the discreet luxury of the everyday ».
-glazed embossed earthenware, crystallised glass, crackled gold.
-measurements: ø 8.50
-condition: very good vintage condition, wear consistent with age and use.

We deliver free of charge to any destination in secure packages with a tracking number and signature required upon delivery. However, any customs fees and duties remain at our customer’s charge. In case of any damage on arrival, please let us know within three days. We will replace or refund. In other cases returns cannot be accepted.

The items on display at LA BOUTIQUE always come with a certificate of provenance and authenticity.
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miroir mural c.1958 – ø 21.5 cm.

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Le luxe quotidien
d'un club privé



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The Art & Collectibles department of the iconic Parisian luxury brand,, regularly creates events around Mithé Espelt’s work. They constantly offer a stunning selection of mirrors, chests and jewellery. All the objects have been authenticated by Antoine Candau.
Paris Rive Gauche – 36 boulevard Raspail – 75007 PARIS
et 24/7 online –
+33(0)146 34 35 31


Ouverture en ligne Janvier 2022

La boutique du site offrira prochainement aux amateurs une sélection régulièrement mise à jour de pièces exceptionnelles munies de leurs certificats d’authenticité, provenant de la collection d’Antoine Candau,
auteur de la monographie et expert de l’œuvre de Mithé Espelt.


Auteur de la monographie « Mithé espelt, le luxe discret du quotidien », Antoine Candau fait autorité sur l’œuvre de l’artiste. Son expertise est régulièrement mise à contribution par les principles maisons de vente aux enchères, et il essaye toujours de renseigner gracieusement les amateurs courtois. Pour toute information sur un objet de votre collection, nous vous remercions de renseigner la fiche jointe.

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Les conditions de délivrance des certificats d’authenticité sont adressées par courriel sur simple demande.

Mithé Espelt (1923–2020) is an outstanding French ceramicist who left behind a remarkable collection of jewelry, small mirrors and little treasure chests. She soon met with success but from early on, she fled the limelight and chose not to sign her creations. As a result, less discerning observers tended to attribute her work to François Lembo, Georges Jouve and even Denise Gatard.
In the early 1950s, Mithé set up a studio in Lunel, nestled between the plains of Camargue and picturesque Provence. There, she spent the next forty years nurturing an artistic project that echoed the contemporary mood. It was only when she met Antoine Candau that she agreed to reveal more about herself. He was, she said, “capable of looking beyond objects, beyond beauty…”. Together, they retraced her life and work in an inspiring monograph that reads like a gripping novel.

Antoine Candau is somewhat self-deprecating when he says that he searches for elusive pieces of art for customers who have ceased to exist. He has been a familiar figure on the art scene since the mid-1980s. He first established himself as a “talent spotter”, and a good one too, but later became more of a discreet “treasure hunter”. His finds, ranging from Middle Age marvels to contemporary design pieces, regularly ended up in the display cases of the world’s museums and art fairs, and he also ran galleries in Paris and London. But what is Antoine trying to tell us as he extols the sublime work of a 97-year-old artist who shared essential messages on happiness and the beauty in things? Is it really surprising that this art expert, renowned for unearthing budding talents, should cast new light an overlooked artist as he invites us to ponder on the workings of fame?

Les conditions de délivrance des certificats d’authenticité sont adressées par courriel sur simple demande.