Mithé Espelt

Necklace c.1950/1955 - length 19 in.

Created in the early 1950s for SOULEIADO collections, (page 60 of the monograph) which spread the Provençal joie de vivre throughout the world, this necklace is a real success. Set in a thick layer of liquid gold, the milky white enamel suggests that this artist’s jewel could well be a piece of fine jewellery…
-glazed embossed earthenware elements and crackled gold
-length : 19 in.
-condition: very good vintage condition, wear consistent with age and use.

We deliver free of charge to any destination in secure packages with a tracking number and signature required upon delivery. However, any customs fees and duties remain at our customer’s charge. In case of any damage on arrival, please let us know within three days. We will replace or refund. In other cases returns cannot be accepted.

The items on display at LA BOUTIQUE always come with a certificate of provenance and authenticity.
Click on images to enlarge. 

Ask us a Question

Mithé Espelt
Collier c.1950/1955 – longueur 48 cm.

*sharing contact information outside this website is prohibited
*to access trade price please provide your business details

Le luxe quotidien
d'un club privé

OUVERTURE PROCHAINE

VALUATIONS & PURCHASE

Please email us with your contact details and two pictures (front & back) of the item you wish to sell. We will get back to you within 24 hours with a valuation and eventually a proposal.

*sharing contact information outside this website is prohibited

COLLECTOR SQUARE

The Art & Collectibles department of the iconic Parisian luxury brand, collectorsquare.com, regularly creates events around Mithé Espelt’s work. They constantly offer a stunning selection of mirrors, chests and jewellery. All the objects have been authenticated by Antoine Candau.
Paris Rive Gauche – 36 boulevard Raspail – 75007 PARIS
et 24/7 online – www.collectorsquare.com
@collectorsquare
+33(0)146 34 35 31

STORE

Ouverture en ligne Janvier 2022

La boutique du site offrira prochainement aux amateurs une sélection régulièrement mise à jour de pièces exceptionnelles munies de leurs certificats d’authenticité, provenant de la collection d’Antoine Candau,
auteur de la monographie et expert de l’œuvre de Mithé Espelt.

EXPERTISES

Auteur de la monographie « Mithé espelt, le luxe discret du quotidien », Antoine Candau fait autorité sur l’œuvre de l’artiste. Son expertise est régulièrement mise à contribution par les principles maisons de vente aux enchères, et il essaye toujours de renseigner gracieusement les amateurs courtois. Pour toute information sur un objet de votre collection, nous vous remercions de renseigner la fiche jointe.

coming soon

we are still working…

Les conditions de délivrance des certificats d’authenticité sont adressées par courriel sur simple demande.

Mithé Espelt (1923–2020) is an outstanding French ceramicist who left behind a remarkable collection of jewelry, small mirrors and little treasure chests. She soon met with success but from early on, she fled the limelight and chose not to sign her creations. As a result, less discerning observers tended to attribute her work to François Lembo, Georges Jouve and even Denise Gatard.
In the early 1950s, Mithé set up a studio in Lunel, nestled between the plains of Camargue and picturesque Provence. There, she spent the next forty years nurturing an artistic project that echoed the contemporary mood. It was only when she met Antoine Candau that she agreed to reveal more about herself. He was, she said, “capable of looking beyond objects, beyond beauty…”. Together, they retraced her life and work in an inspiring monograph that reads like a gripping novel.

Antoine Candau is somewhat self-deprecating when he says that he searches for elusive pieces of art for customers who have ceased to exist. He has been a familiar figure on the art scene since the mid-1980s. He first established himself as a “talent spotter”, and a good one too, but later became more of a discreet “treasure hunter”. His finds, ranging from Middle Age marvels to contemporary design pieces, regularly ended up in the display cases of the world’s museums and art fairs, and he also ran galleries in Paris and London. But what is Antoine trying to tell us as he extols the sublime work of a 97-year-old artist who shared essential messages on happiness and the beauty in things? Is it really surprising that this art expert, renowned for unearthing budding talents, should cast new light an overlooked artist as he invites us to ponder on the workings of fame?

Les conditions de délivrance des certificats d’authenticité sont adressées par courriel sur simple demande.